{"id":22776,"date":"2020-08-08T22:54:13","date_gmt":"2020-08-08T22:54:13","guid":{"rendered":"http:\/\/cultureproject.org.uk\/kurdish\/?p=22776"},"modified":"2020-08-08T22:54:13","modified_gmt":"2020-08-08T22:54:13","slug":"paul-celan-u-helbesta-holocaust","status":"publish","type":"post","link":"https:\/\/cultureproject.org.uk\/kurdish\/paul-celan-u-helbesta-holocaust\/","title":{"rendered":"Paul Celan \u00fb helbesta Holocaust"},"content":{"rendered":"
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Tengezar\u00ea Mar\u00een\u00ee<\/figcaption><\/figure>\n

Paul Celan \u00fb helbesta Holocaust
\nWerger \u00fb amadekirina Tengezar\u00ea\u00a0Mar\u00een\u00ee<\/a><\/h4>\n

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Destp\u00eak:<\/strong>
\nWek ko helbesta Paul Celan ya bi nav\u00ea Todesfuge = Not\u00ean Mirin\u00ea hatiye ravekirin, h\u00een tu helbest bi v\u00ea pirrb\u00fbn\u00ea nehatiye ravekirin. Hem\u00ee j\u00ee dixwazin bizanibin, ka mebesta Paul Celan di v\u00ea helbest\u00ea de \u00e7i b\u00fb? Ji ber ko w\u00ee simbol\u00ean cih\u00eareng \u00fb bi taybet\u00ee ji \u00e7anda cuhuyan bikar an\u00eene. Eger mirov asoy\u00ean Paul Celan nas neke nikare bigihe mebesta w\u00ee. Ziman\u00ea helbestvan, ziman\u00ea w\u00ee ye, l\u00ea ji ti\u015fta w\u00ea gav\u00ea dib\u00eaje, b\u00eahtir e, ji ti\u015fta bizane.
\nEW \u015firovey\u00ean li dor helbesta Paul Celan hatine, ew bi xwe j\u00ee matmay\u00ee kir \u00fb bo w\u00ee j\u00ee ti\u015ftek\u00ee n\u00fb b\u00fb, ko helbestek dikare wisa xwendin\u00ean cuda li xwe biciv\u00eene. Ev peyva \u201e\u015e\u00eer\u00ea re\u015f\u201c, di helbesteke Rose Ausl\u00e4nder, helbestvana elman ya bi regez cuhu, di sala 1939an de hatib\u00fb \u00fb hinek simbol\u00ean din m\u00eena \u201eKolana gor\u00ea, Mar, Meister\u00ea elman\u00ee di mirin\u00ea de\u201c, di helbesteke helbestvan\u00ea Cuhu y\u00ea elman Immanuell Weissglas de, di sala 1944an de hatib\u00fb:<\/h4>\n

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Not \u00ean Mirin\u00ea.<\/strong><\/h4>\n

\u015e\u00eer\u00ea re\u015f y\u00ea em w\u00ee z\u00fb vedixwin, \u00eavar\u00ee vedixwin
\nem n\u00eevroyan, sp\u00eadeyan vedixwin \u00fb bi \u015fevan
\nem vedixwin \u00fb vedixwin
\nem gorek\u00ea dikolin li derve, li wir cih neteng e
\nmirovek di x\u00ean\u00ee de dij\u00ee, bi maran re dil\u00eeze, diniv\u00eese
\new diniv\u00eese dema tar\u00ee li Elmaniya xwe li pora te ya z\u00ear\u00een dip\u00ea\u00e7e Margarete
\nEw w\u00ea diniv\u00eese, li ber dergeh\u00ee diyar dibe, st\u00eark di\u00e7irisin \u00fb ew bo an\u00eena n\u00earb\u00fbn\u00ean xwe dikw\u00eet\u00eene
\nBo cih\u00fby\u00ean xwe dikw\u00eet\u00eene bo derketin\u00ea r\u00ea berbi kolana gorek\u00ea ve dibe
\nFerman\u00ea dide me em niho bil\u00eezin \u00fb semay\u00ea biger\u00eenin<\/h4>\n

\u015e\u00eer\u00ea re\u015f y\u00ea beyan\u00ee em\u00ea te bi \u015fevan vexwin
\nem \u00ea n\u00eevroyan, sp\u00eadeyan te vexwin \u00fb bi \u015fevan
\nem \u00ea vexwin \u00fb vexwin
\nM\u00earek di x\u00ean\u00ee de dij\u00ee, bi maran re dil\u00eeze, diniv\u00eese
\new diniv\u00eese dema tar\u00ee li Elmaniya xwe dihingive pora te ya z\u00ear\u00een Margarete
\nToza pir\u00e7a te Sulamith (\u015eulam\u00eet) em gorek\u00ea dikolin li derve, li wir cih neteng e<\/h4>\n

Ew bang dike neqr\u00eeskek t\u00fbj li xak\u00ea dide yek ji we distir\u00eene \u00fb dil\u00eeze
\nDest\u00ea xwe dav\u00eaje hesin\u00ea qar\u00ee\u015fa xwe dihej\u00eene \u00e7av\u00ean w\u00ee \u015f\u00een in
\nniqir\u00eesk\u00ean t\u00fbj dav\u00eaje nav\u00ea rast\u00ee hun di nav xwe de dil\u00eezin \u00fb semay\u00ea dikin<\/h4>\n

\u015e\u00eer\u00ea re\u015f y\u00ea beyan\u00ee em te bi \u015fevan vedixwin
\nem \u00ea n\u00eevroyan, sp\u00eadeyan te vexwin \u00fb bi \u015fevan
\nem vexwin \u00fb vexwin
\nM\u00earek di x\u00ean\u00ee de dij\u00ee pora te ya z\u00ear\u00een Margarete
\nToza pora te Sulamith ew bi maran dil\u00eeze
\nEw bang dike \u015f\u00ear\u00eeno bi mirin\u00ea bil\u00eezin mirin hostayek e ji Elmaniya
\nBang dike tariyo keman\u00ea boyax bike di pey re d\u00fb hilki\u015fe nava bay\u00ee
\n\u00ead\u00ee d\u00ea goreke we li nav ewran \u00e7\u00eabibe li wir cih neteng e<\/h4>\n

\u015e\u00eer\u00ea re\u015f y\u00ea beyan\u00ee em te bi \u015fevan vedixwin
\nEm te n\u00eevroyan vedixwin Mirin hostayeke ji Elmaniya
\nEm te \u00eavaran vedixwin \u00fb sp\u00eadeyan te vedixwin em vedixwin \u00fb vedixwin
\nMirin hostayeke ji Elmaniya \u00e7av\u00ea w\u00ea \u015f\u00een e
\new bi qur\u015f\u00eenek\u00ea li te de ew li rast derb\u00ea li te dide
\nM\u00earek di x\u00ean\u00ee de dij\u00ee pora te ya z\u00ear\u00een Margarete
\new k\u00fb\u00e7ik\u00ea xwe li me har dike \u00fb gorek\u00ea li nav bay\u00ee diyar\u00ee me dike
\nBi maran dil\u00eeze \u00fb xewnan dib\u00eene mirin hostayek\u00ee ji Elmaniya ye<\/h4>\n

pir\u00e7a te ya z\u00ear\u00een\u00ee Margarete
\npora te ya toz\u00een\u00ee Sulamith<\/h4>\n

************<\/h4>\n

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Simbol\u00ean helbest\u00ea<\/strong><\/h4>\n

Dibe hindek ji wan xwi\u015fk \u00fb biray\u00ean, ku elman\u00eezan \u00fb xwe bi torey\u00ea ve mij\u00fbl dikin, bib\u00eajin ev\u00ee bo \u00e7i Mirina derbederane beramber Todesfuge daniye \u00fb \u00e7ima ne mirina gelek reng an j\u00ee Qel\u015f\u00ean mirin\u00ea? Ev pirs hem\u00ee j\u00ee giring \u00fb di cih\u00ea xwe de ne, ji ber van sedeman:
\npeyva Die Fuge \u015f\u00eaweyek\u00ee giring \u00fb berbendkir\u00ee ye berovaj\u00ee destn\u00ee\u015fankiriyeke eseh\u00ee. Wate di war\u00ea m\u00fbz\u00eek\u00ea de, dema koral hebe. Bingeha v\u00ea peyv\u00ea lat\u00een\u00ee ye \u00fb ji peyva Fuga t\u00ea, ku wateya w\u00ea derbeder\u00ee \u00fb rev e. Di m\u00fbz\u00eek\u00ea de j\u00ee Fugeke xwe ji dengek\u00ee \u00e7em dike dengek\u00ee din \u00fb her Fugeke wek ya ber\u00ee xwe n\u00eene.<\/h4>\n

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Nim\u00fbne:<\/strong> Fuge Nr. 1 ji ” The Well-Tempered Clavier “, pirt\u00fbk 1, ji J. S. Bach<\/h4>\n

Ji bil\u00ee w\u00ea j\u00ee, ev Peyv Fuge, wek me li jor niv\u00ees\u00ee, ku ji lat\u00een\u00ee hatiye \u00fb wateya w\u00ea bededer\u00ee ye, lewra j\u00ee peyva Penaber (ew mirov\u00ea li derbederiy\u00ea dij\u00ee), bi ingil\u00eez\u00ee dib\u00eajin\u00ea Refuge
\nSedema her\u00ee giring, eger ku em simbol\u00ean, ku Paul Celan di helbesta xwe de bikar an\u00eene\u201c ku d\u00ea li j\u00ear em \u00ea li ser wan biniv\u00eesin \u00fb \u015firove bikin\u201c, em d\u00ea bib\u00eenin ku ev sernav bo v\u00ea helbest\u00ea bi kurd\u00ee cih\u00ea xwe digire.<\/h4>\n

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Paul Celan ev helbest sala 1947an, li penaberiy\u00ea, li Ferensa niv\u00ees\u00ee. Bav \u00fb diya w\u00ee, y\u00ean cih\u00fb, di h\u00eawirxaney\u00ean naziyan de hatine tunekirin.
\n\u015f\u00eer\u00ea re\u015f: Her di destp\u00eaka helbest\u00ea de, bi peyva \u015f\u00eer\u00ea re\u015f dest p\u00eakiriye.
\n\u00c7u l\u00eakdanek (Syntax) wek v\u00ea l\u00eakdan\u00ea di hem\u00ee edebiyata c\u00eehan\u00ee de, neb\u00fbye cih\u00ea guft\u00fbgo \u00fb genge\u015fiy\u00ea, lew ra j\u00ee, Paul Celan bi v\u00ea helbesta xwe bi nav \u00fb deng b\u00fb \u00fb b\u00fb yek ji ba\u015ftir\u00een helbestvan\u00ean sedsala b\u00eestan.
\nEv hevoka mecaz\u00ee ser\u00ea gelek rexnegir\u00ean c\u00eehan\u00ee tevl\u00eehev kir. \u015f\u00eer\u00ea re\u015f y\u00ea “. Wateya sytax\u00ea, di Duden de (Ferheng), weha hatiye :
\n“ziman\u00ea derbir\u00een\u00ea y\u00ea helbestvan Paul Celan (1920-1970) bi c\u00eehana xwe ya taybet ji W\u00eane, reng, mot\u00eev \u00fb Simbolen (ku ji Simbol\u00eezm\u00ea \u00fb Surreal\u00eezm\u00ea diherrikes) ne bi h\u00easan\u00ee t\u00eate t\u00eageh\u00ee\u015ftin. W\u00eaney\u00ea her\u00ee balk\u00ea\u015f di helbesta Celan de, Mirina derbederane, ew hevoka:<\/h4>\n

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\u015e\u00eer\u00ea re\u015f y\u00ea em w\u00ee z\u00fb vedixwin, \u00eavar\u00ee vedixwin
\nem n\u00eevroyan, sp\u00eadeyan te vedixwin \u00fb bi \u015fevan
\nEv herd\u00fb malik, behs\u00ea w\u00ea sitemkariya nemirovan, \u015f\u00eawey\u00ea ku\u015ftina b\u00eahempa ya cihiwan li Elmaniya di dema naziya de diyar dike \u00fb derdibire. B\u00eaguman ev gazindek \u00fb giliheke di eyn\u00ee dem\u00ea de. Ev w\u00eaney\u00ea peredoksane, y\u00ean cuda \u00fb di destp\u00eak\u00ea de, xw\u00eaner li nav hev dixe \u00fb w\u00ee li ber karek \u00fb erkek\u00ee zor qurs dadine. Xw\u00eaner dike m\u00eena falvekerek\u00ee fincanan.<\/h4>\n

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MAR:<\/strong> Simbol\u00ea din y\u00ea bi kar aniye, ew j\u00ee mar e. Mar li nik her miletek\u00ee \u00fb di efsaney\u00ean miletan de, watey\u00ean cuda didin. Eve j\u00ee weha dike, ku xwendin\u00ean cuda \u00fb \u015firovey\u00ean cuda ji helbest\u00ea re peyda bibin. Ev simbol di ol\u00ean kevin de zor. Li nik \u00eazdiyan, mar dergeh\u00ea lali\u015fa n\u00fbran\u00ee dipar\u00eaze. Di hi\u015fmendiya Xiristiyanan de, desthilatdariya bitirs \u00fb xerab n\u00ee\u015fan dide, ji xwe ku di ola felehan \u00fb misilmanan de, Mar hi\u015ftiye Adem \u00fb Evaguneh\u00ee bikin \u00fb xwed\u00ea wan ji buhu\u015ft\u00ea biqewir\u00eene:<\/h4>\n

3:1 mar, heywan\u00ea her\u00ee z\u00eerek e, y\u00ea ku xwedan ew day\u00ee. Mar ji Eva pirs\u00ee: rast\u00ee xwed\u00ea gotiye: \u00e7\u00eanabe hun ji v\u00ea dar\u00ea bixwin?
\n3:2 Jin\u00ea gote mar\u00ee: ji meywey\u00ea v\u00ee dar\u00ee nabe em bixwin;
\n3:3 bitin\u00ea ji meywey\u00ea v\u00ea dar\u00ea, ya di n\u00eeva bex\u00e7ey\u00ee de, xwed\u00ea got: nabe hun bixwin \u00fb eger hun bixwin hun d\u00ea bimirin.
\n3:4 Mar gote jin\u00ea: Na, hun namirin.
\n3:9 Xwed\u00ea bi Adem re axivt \u00fb pirs\u00ee: ka tu?
\n3:10 Min li nav bex\u00e7e p\u00eaj; da geriet ich in Furcht, weil ich na te kir, min xwe ve\u015fart ji ber ez ru\u00ees im.
\n3:11 K\u00ee gote te, xwe ru\u00ees bike \u00fb ji w\u00ea dara min li te qedex kir\u00ee meywe bixw\u00ee?
\n3:12 Adam bersiv da: ew jina te bo min dan\u00ee b\u00fb, ji dar\u00ea da min \u00fb min xwar.
\n3:13 Xwed\u00ea bangkir jin\u00ea: te \u00e7i kir? Jin\u00ea got: mar ez xapandim \u00fb min xwar.
\n3:14 Xwed\u00ea gote mar\u00ee: jiber te ev kar kir, tu d\u00ea jiyana xwe hem\u00ee, li ser zik\u00ea xwe bir\u00eave bi\u00e7\u00ee \u00fb xwarina te d\u00ea ax be.
\n(1 Mosa 3,1-14)<\/h4>\n

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Di d\u00eeroka cihuyatiy\u00ea de j\u00ee, jibil\u00ee ku mar xap\u00eenok e, bel\u00ea kerr e j\u00ee, daku peyv\u00ean xwed\u00ea nekevin guh\u00ea w\u00ee
\nJehra w\u00ee wek ya mar\u00ee ye, Wek jehra kerrekor, ku guh\u00ean w\u00ee girt\u00ee.
\n(Mizam\u00eer 58,3)<\/h4>\n

Mar di helbest\u00ea de, n\u00ee\u015fana le\u015fker\u00ean Hitler e SS, ku li derdora h\u00eawirxan\u00ea digeriyan \u00fb kes\u00ean b\u00eaguneh diku\u015ftin.<\/h4>\n

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Margarete:<\/strong> Dem\u00ea li vir Margarete \u00eena, ew beramber Gretchen ya FAUST a Goethe kir. Wek ku Goethe, Gretchen a xwe derbir\u00eena \u015f\u00eaweyek ji \u015f\u00eawey\u00ean kemal\u00ea \u00eena, bel\u00ea di eyn\u00ee dem\u00ea de, weke tawanbarek\u00ea ew li qelem da. Dem\u00ea por \u00fb pir\u00e7a zer \u00fb \u00e7av\u00ean \u015f\u00een ya Margarete dib\u00eaje, ew dixwaze \u00eedolojiya naziyan diyar bike. Rola Margarete di helbest\u00ea de vekiriye ye. Er\u00ea ji h\u00ealek\u00ea ve n\u00ee\u015fana nijadperestiy\u00ea ye, l\u00ea ji h\u00eala din ve yeke pas\u00eev e \u00fb e, n\u00eaz\u00eek\u00ee rola qurbaniyek\u00ea diyar dibe. Di gel w\u00ea j\u00ee navek\u00ee din, Sulamith an j\u00ee \u015eulam\u00eet, ku navek\u00ee cihuyan e, rola jina dilovan \u00fb ev\u00eendar werdigire.<\/h4>\n

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SEMA:<\/strong> Simola din ya Celan di helbest\u00ea de bi kar \u00eenaye:
\nFerman\u00ea dide me em niho bil\u00eezin \u00fb semay\u00ea biger\u00eenin
\nPaul Celan \u201c Dans Macabare\u201d semaya bitirs bikar t\u00een, ji ber buyer \u00fb susret gelek\u00ee mezin e \u00fb \u201e Hostay\u00ea kevin\u201c ya S.Bach li vir bikar t\u00eene, ji ber li ber w\u00ea simfoniya w\u00ee cih\u00fb dihatin i\u015fkencekirin \u00fb ku\u015ftin. Her ev hevok, kemanjen\u00ean sedsala 14 \u00fb 15 t\u00eene b\u00eera me, ku li ber wan la\u015f\u00ean miriyan y\u00ean b\u00fbb\u00fbn hest\u00ee keman dijen\u00een. Li vir nemirovah\u00ee \u00fb hov\u00eetiya kujeran li ber \u00e7av\u00ean xwendevan dideyne \u00fb w\u00ee di nav saloneke s\u00eenemay\u00ee hizr\u00ee de, dih\u00eale<\/h4>\n

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1851 Alfred Rethel<\/strong>: Mirin wek xeniqdar. Cara yekem ku Kolera
\nli Paris 1831 b\u00fb.,.
\n[ev graf\u00eek ji daneheva Heinrich-Heine-zan\u00eengeha D\u00fcsseldorf]
\nKAMAN: Paul Celan, simbolek\u00ee din gelek\u00ee giring, ku ew j\u00ee dibe kil\u00eelek bo vekirina helbesta w\u00ee bikar t\u00eene: Bang dike tariyo keman\u00ea boyax bike di pey re d\u00fb hilki\u015fe nava bay\u00ee. D\u00fb bi as\u00eeman. An j\u00ee di\u00e7e nav bay\u00ee, eve n\u00ee\u015fana sotandina cihuyan di firnan \u00fb h\u00eawirxanan de ye. Ji xwe di sala 1943an SS gelek mirov bikar an\u00een bo avakirin r\u00ea \u00fb avahiyan \u00fb di pey re ew sotandin \u00fb av\u00eatin gor\u00ean bikomel, ku yek ji wan li bajar\u00ea Hannover Bergen-Belsen e. Ev sotandin, daku n\u00ee\u015fan\u00ean i\u015fkenc\u00ea li ser wan winda bikin.
\nHindek hevok ji v\u00ea helbest\u00ea di ziman\u00ea elman\u00ee de b\u00fbne nim\u00fbne \u00fb wek peyv\u00ean p\u00ea\u015f\u00eenanan: Der Tod ist ein Meister aus Deutschland= Mirin hostayek\u00ee ji Elmaniya ye\u201c.<\/h4>\n

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Werger \u00fb amadekirina Tengezar\u00ea Mar\u00een\u00ee<\/p>\n","protected":false},"author":94,"featured_media":22777,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"categories":[33],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/posts\/22776"}],"collection":[{"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/comments?post=22776"}],"version-history":[{"count":15,"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/posts\/22776\/revisions"}],"predecessor-version":[{"id":22794,"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/posts\/22776\/revisions\/22794"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/media\/22777"}],"wp:attachment":[{"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/media?parent=22776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/categories?post=22776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cultureproject.org.uk\/kurdish\/wp-json\/wp\/v2\/tags?post=22776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}